Paul McCartney’s largest post-Beatles songs – ranked! | Paul McCartney

30. Paul McCartney – Secret Friend (1980)

McCartney’s penchant for the musical avant garde dates again to the mid-60s (sooner than John Lennon’s, as he’s ceaselessly willing to show). You didn’t listen a lot from leftfield Macca within the 70s, yet he reappeared on Secret Friend, an outtake from McCartney II that sounds, extremely, like summary, ageless, Balearic techno 10 years early.

29. Wings – Listen to What the Man Said (1975)

You can see why the cheery thumbs-aloft philosophising and perky soprano sax of Listen to What the Man Said can have grated within the Britain of the three-day week, yet – as so ceaselessly with 70s McCartney – you’ll be able to best gawp in surprise on the obvious effortlessness of its breezy, chugging melody.

28. Wings – Goodnight Tonight (1979)

Not even Macca was once proof against the trap of disco – Goodnight Tonight even got here out in a longer 12-inch model – even supposing he characteristically tailored the style to his personal ends, reasonably than vice versa, blending flamenco guitars, an enthralling, drowsy half-speed melody and summary use of a vocoder. And the bass enjoying is unbelievable.

27. Wings – Arrow Through Me (1979)

Wings went out the way in which they arrived: with a patchy, in large part unloved album. But Back To the Egg contained Arrow Through Me, a wealthy, intriguingly serpentine tackle McCartney in late-70s soft-rock mode. It has lately been rescued from undeserved obscurity, first via Erykah Badu, who sampled it on Gone Baby, Don’t Be Long, and via Harry Styles, who has regularly sung its praises.

Give My Regards to Broad Street-era Macca, pictured in 1984. Photograph: Robert R McElroy/Getty Images

26. Paul McCartney – Deep Deep Feeling (2021)

There is a way that McCartney’s seek for a latterday hit has once in a while made him dial down his penchant for experimentation. But it discovered complete drift at the spotlight from remaining yr’s McCartney III: the melody is characteristically polished, but it surely winds thru pace adjustments, long instrumental passages, falsetto vocals and an acoustic coda.

25. Wings – Letting Go (1975)

In contemporary years, McCartney has returned to Letting Go onstage, with just right explanation why: a relative flop on free up, it’s unfairly lost sight of, the mid-tempo swampiness of Wings’ efficiency – they appear to be enjoying in an unlimited cloud of weed smoke – counterpointed via the jubilant brightness of the brass association.

24. Paul McCartney – Temporary Secretary (1980)

Off-kilter vocals, frantic synth chatter, a dementedly catchy hook: the sound of McCartney unbound from industrial issues, Temporary Secretary completely demonstrates each why McCartney II was once savaged via baffled critics on free up – one assessment prompt its writer had “shamed himself” – and its bed room electronica was once greatly re-evaluated in a post-acid space international.

23. Wings – My Love (1973)

On the only hand, with its lush strings and cosseting MOR manufacturing, My Love almost certainly fell directly into the class of songs Lennon caustically dubbed “Paul’s granny music”. On the opposite, it’s so luxurious, its lyric so plainly heartfelt in its wide-eyed drippiness, that there’s something impossible to resist about it.

22. Paul McCartney – Early Days (2013)

McCartney’s voice has noticeably elderly lately. Rather than forget about that truth, Early Days places it to make use of. It’s no longer simply that this can be a nice track – even supposing it’s – there’s one thing vastly tough about listening to a person audibly in his 70s reminiscing, no longer at all times fondly, about his early profession.

21. Wings – With a Little Luck (1978)

A soft-rock album recorded via a multimillionaire on a luxurious yacht within the Virgin Islands, Wings’ London Town was once in all probability no longer the wisest transfer on the peak of punk; it additionally wasn’t superb. But With a Little Luck is a sweetly affecting restatement of none-more-Macca positivity.

20. Paul McCartney – What’s That You’re Doing? (1982)

A hidden gem from Tug of War, What’s That You’re Doing? is the whole lot the extra well-known McCartney/Stevie Wonder collaboration Ebony and Ivory isn’t. Rather than the gloopy schmaltz in their large hit, it’s stressed and writhingly funky sufficient to equivalent Wonder’s 70s albums: excessive reward, but it surely’s a marvelous track.

19. Paul McCartney – My Valentine (2012)

McCartney had dabbled in pre-rock’n’roll pop sooner than, at the Beatles’ Honey Pie, the Black Dyke Mills Band’s Thingumybob and Wings’ Baby’s Request, yet his self-penned contribution to Kisses at the Bottom, an album of requirements, was once specifically spell binding: a moody ballad that may have come direct from the Great American Songbook.

18. Paul & Linda McCartney – Uncle Albert/Admiral Halsey (1971)

The medley on aspect two of Abbey Road plainly captivated McCartney: he saved returning to its fragmentary way all the way through the early 70s. Uncle Albert/Admiral Halsey was once the Ram album’s ramshackle take at the shape, jump-cutting from hazy and dreamlike to perky singalong to a falsetto-voiced oompah interlude. A US No 1, extremely.

17. Paul McCartney & Elvis Costello – My Brave Face (authentic demo) (1989)

The model of My Brave Face you want to listen to isn’t the high-gloss unmarried, however the rougher, harder demo, the place the track’s Beatley greatness is extra amply glaring: McCartney and Costello thrashing at acoustic guitars and harmonising, the latter’s acidic voice a really perfect, reasonably Lennon-esque, foil.

Wings, playing Junior’s Farm on Top of the Pops.
Macca with Denny Laine and Linda McCartney of Wings, enjoying Junior’s Farm on Top of the Pops. Photograph: David Redfern/Redferns

16. Wings – Junior’s Farm (1974)

Situated in a satisfying candy spot between rock riffing and dad smarts, Junior’s Farm additionally includes a uncommon second of Macca politicking buried amid the Dylan-esque lyrics, which cheerily recommend a whip-round for “a bag of cement” with which to model concrete boots for Richard Nixon.

15. Wings – Little Lamb Dragonfly (1973)

Tucked away amid the asymmetric contents of Wings’ 2d album Red Rose Speedway was once one of the vital most lovable melodies McCartney has ever written. Recorded all the way through the Ram classes and meant for the soundtrack of McCartney’s long-planned Rupert Bear cool animated film, Little Lamb Dragonfly is pillow-soft, inexplicably transferring and completely stunning.

14. Paul McCartney – No More Lonely Nights (1984)

It says so much in regards to the lowly essential recognition of mid-80s Macca – and the awfulness of the film from which it got here, Give My Regards to Broad Street – that No More Lonely Nights isn’t lauded because the masterpiece it’s. A large hit you by no means listen this present day, it’s super-smooth, yet a stunning little bit of songwriting.

13. Paul & Linda McCartney – Another Day (1971)

One hanging factor about Paul McCartney’s late-60s and early-70s paintings is the empathy with which it depicts the odd folks the counterculture tended to sneer at as hopelessly sq.. Hence Another Day: derided on free up for its delicate depiction of a lady’s humdrum life, it’s poignant, being concerned and wonderfully written.

12. Paul McCartney – Little Willow (1997)

After a long time of regularly unfair essential opprobrium directed McCartney’s manner, Flaming Pie was once launched on the peak of Britpop’s Beatlemania, and, if the rest, quite puffed up. But there’s not anything to not like about Little Willow’s heartstring-tugging yet heartfelt, delicately organized reaction to the loss of life of Ringo Starr’s first spouse Maureen.

11. Paul McCartney – Junk (1970)

A large number of Beatles offcuts ended up on McCartney’s early solo albums. Sometimes you must see why the opposite Fabs had rejected them – the cloying Teddy Boy – yet Junk is the fantastic “sentimental jamboree” described in one in every of its lyrics. Passed over for The Beatles and Abbey Road, it’s magical: unassuming, twilit and beautiful yet someway eerie with it.

10. Paul McCartney – Here Today (1982)

A wonderfully poised response to Lennon’s homicide. The lyrics admit Lennon would have scoffed at their sentimentality and it sounds poignantly like one thing from the mid-60s, an acoustic-guitar-and-strings sibling of Yesterday. A photograph of the manuscript unearths a telling trade: the road “I ease my pain” crossed out, changed with “I love you”.

9. Paul McCartney – Coming Up (album model) (1980)

Rightfully inspired via its tight-but-lo-fi new wavey disco sound,Lennon famously spoke back to listening to Coming Up at the radio with the immortal exclamation: “Fuck a pig – it’s Paul!” Lennon most popular the home-recorded tackle McCartney II to the are living model launched as a unmarried; he was once proper about that, too.

8. Paul McCartney – Jenny Wren (2005)

Written, McCartney has admitted, “in conversation with” the Beatles’ Blackbird, Jenny Wren was once, like a lot of Chaos and Creation within the Backyard, acoustic and powerfully stark. Its temper slips from positive to distressed and again once more; McCartney’s voice is close-miked and intimate; and the solo on a duduk – an Armenian wind software – is atmospheric and surprising.

7. Wings – Jet (1973)

Hard-rocking, euphoric and swaggering, Jet – like numerous Band at the Run – seems like McCartney after all discovering his post-Beatles mojo. It’s an unbelievable track, its fats sound a reaction to glam; its intro, via far, the most productive – and maximum refined – of McCartney’s makes an attempt to include reggae into his sound.

6. Wings – Live and Let Die (1973)

McCartney’s post-Beatles paintings felt intentionally unassuming, till the problem of writing the primary rock Bond theme pressured him into creating a grand observation. Still a pyrotechnic-augmented top in his are living presentations, Live and Let Die adapts the Abbey Road medley way – ballad, reggae interlude, orchestral rock riffing – into exciting high-drama.

5. Paul McCartney – Waterfalls (1980)

McCartney later mentioned he will have to have held Waterfalls – a listing of parental worries set to a slowly sighing melody – again from McCartney II as a way to give it the overall orchestral remedy, but it surely’s absolute best as it’s: there’s one thing very touching in regards to the fragility of its digital backing.

4. Wings – Let Me Roll It (1973)

Its swipe of solo Lennon types – caustic Cold Turkey guitar, Instant Karma-ish slapback echo – led some folks to consider Let Me Roll It was once geared toward him; McCartney has implied it’s a paean to marijuana. Either manner, its stammering riff, uncooked vocal, and emotional shift from brooding verses to hovering refrain are all extremely just right.

3. Paul & Linda McCartney – The Back Seat of My Car (1971)

There’s a second all the way through remaining yr’s Get Back documentary collection the place Macca moves up The Back Seat of My Car, begging the query: why on earth didn’t the Beatles report this? Audibly impressed via Brian Wilson, its twists and turns quantity to an astonishing firework show of melodic skill.

2. Wings – Band at the Run (1973)

Rattled via a mutiny amongst Wings’ ranks, McCartney defiantly stepped up his sport at the next Band at the Run. Its three-songs-in-one identify monitor displays each his embattled thoughts state and burst of recent self belief. The second at 2:06 the place the temper dramatically lifts, with an unlimited orchestral riff is a factor of joy-bringing surprise.

1. Paul McCartney – Maybe I’m Amazed (1970)

Amid the low-key, charmingly scrappy contents of McCartney’s eponymous solo debut, Maybe I’m Amazed is a no-further-questions masterpiece, each a pledge of devotion to his new spouse and a howl of misunderstanding on the Beatles’ cave in (“Maybe I’m a lonely man who’s in the middle of something / That he doesn’t really understand”). The model on McCartney is discreet – it all at once fades in, as though any person pressed report quite too past due; the association is sparse – yet that does not anything to dim its slowly mounting emotional energy, equivalent portions anguish and adoration. McCartney therefore referred to as it the track he would maximum love to be remembered for.

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